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#Arriving at water 7 ost one piece manual#

Despite this, Ceobe is an absolute wrecking ball at destroying high-DEF enemies, which is usually the most important task for a ST Caster to fulfill. (Remember that her Talent is less effective against enemies with low DEF, however.)įinding an isolated deployment spot to activate Lone Journey can be difficult on some maps, and Thresher doesn’t give much bonus damage against enemies with low DEF. Since she deals physical damage with this Skill, she prioritizes the lowest-DEF enemies in range while it’s active, giving Ceobe an interesting hybrid niche amongst Casters. Ceobe’s ATK and attack range increase, her damage changes to physical, and her attacks Silence their targets (preventing special abilities).

#Arriving at water 7 ost one piece manual#

Really Heavy Spear is a manual Skill with a large SP cost but a correspondingly large effect.

This Skill melts armored bosses like cotton candy in the desert sun.

Really Hot Knives is a manual Skill with great uptime that dramatically increases Ceobe’s attack speed and causes her to prioritize the highest-DEF enemies in her range.

This attack prioritizes unblocked enemies where the Bind will be most effective, making it a good crowd-control option.

Really Cold Axe is an auto-trigger Skill that increases the damage of Ceobe’s next attack and causes it to Bind the target (stopping their movement).

Her Skills give her a variety of options to use all this bonus damage with, and each has its own unique priority for the enemies it will target: She gets a further DPS boost from her E2 Talent, Lone Journey, which increases her ATK and attack speed when she’s not adjacent to another ally. She is especially good at changing the enemies she targets based on what you need her to do.Ĭasters are already excellent counters to high-DEF enemies, and Ceobe takes this to a whole new level with her first Talent, Thresher, which increases her damage by a percentage of her target’s DEF. This 6★ ST Caster hurls her various weapons into the fray to deal extreme Arts damage and crowd-control her opponents.

Her disarming smile and sandy tresses are almost enough to distract from the armory of weapons she carries on her back, each one charged with elemental energy.

Operator Lists by Faction, VA, Artist, etc.Ĭeobe has a simple list of things she likes to do: eat well, drink well, sleep well, and beat up bad guys.

Mat Drops Of Future Events And Episodes.

Special Thanks: Matt Nava and Giant Squid, The Ink Factory and 505 Games, Sarah Kovacs and the gang at KEM, Jessica Curry and Dan Pinchbeck, Wes Ball, Eric Whitacre, Amin & Claire, my parents and sister, the little mermaid Serena and Meg. Text derived from the first tablet of the Enūma Eliš. Score mixer and album mastering – Steve Kempster London Voices directors: Terry Edwards and Ben Parry Orchestrations - Susie Seiter and Austin WintoryĬoncertmaster and contractor: Alan Umstead

Performed by the Nashville Scoring Orchestra, London Voices and Abzu Harp Ensemble Music composed, conducted and produced by Austin Wintory Physical CDs now available from Varese Sarabande! All the performers brought incredible magic and I'm eternally grateful for their artistry. The odd combination of large harp ensemble, semi-traditional orchestra and chamber choir, led by a slew of delicate oboe solos by Kristin Naigus, gave me ingredients for experimentation that were simultaneously great fun and deeply intimidating.

The resulting score is one I can definitely say pushed me into territory I'd never been. As always, that process of discovery was challenging and often filled with self-doubt. Both game and music went through many iterations and conceptual shapes before arriving in what you hear and see now. I started with a theme ("To Know, Water") very early in the process and then spent the next 3 years developing that material in tandem with the game. The overall progression was not unlike our prior collaboration on JOURNEY. Not long after, the studio Giant Squid was founded and he invited me to join him in the creation of ABZÛ. On the heels of JOURNEY's release in 2012, thatgamecompany's Art Director Matt Nava showed me some concept art he'd been making for a new game he was dreaming up: Gorgeous underwater landscapes that straddled the line between realism and fantasy.